Texas just launched a new military veteran film hire rebate uplift — proof that states are recognizing what we've known for decades: veteran talent belongs on both sides of the camera. But as of April 2025, 1.2 million veterans rely on SNAP food assistance, with one in four military families experiencing food insecurity — a crisis sharpened by the recent government shutdown. The Military Family Advisory Network is delivering direct food relief. Blue Star Families is providing economic relief and community connections. At Pacific Rim Media, creating pathways for veterans in entertainment — and using film to amplify their stories globally — is not a side mission. It is the mission.
Captain, USN (Ret./Reserve) · DGA Producer/Director · CEO, Pacific Rim Media
Frank Kostenko Jr. is a DGA-accredited film producer and director with over 70 feature film credits spanning three decades. His career bridges the worlds of major Hollywood production and the United States Naval Reserve Special Operations community in a way that is simply without peer in the industry.
Beginning on Modern Girls (1986), Frank ascended through every rank of the DGA — earning his stripes across hundreds of days as 2nd AD, 1st AD, and UPM — before becoming a recognized international film executive. He served as Executive Vice President of Production at Landmark Entertainment Group, managing over billion in entertainment IP across 35+ countries, including the Jurassic Park: The Ride (Spielberg), Terminator 2:3D (Cameron), and T2: Battle Across Time attractions.
In uniform, Frank served as SOCPAC Chief of Staff under RDML Jeromy B. Williams (now USSOCOM J3 Director of Operations), leading Joint Special Operations Command teams across more than 55% of the Earth's surface — from the Philippines and South Korea to the Horn of Africa and the broader Indo-Pacific theatre. As JTF-510 component, he coordinated multinational special operations, partner-nation security capacity building, and crisis response across more than 20 Pacific nations.
As Commanding Officer of DTSA/RAID within the Office of Naval Intelligence under the Office of the Secretary of Defense, Frank led a classified program protecting sensitive U.S. technologies at the intersection of global trade and advanced innovation. His portfolio covered arms technology control, AI and cloud platform security, and vetting of foreign access to critical U.S. technologies — balancing deterrence, innovation, and allied security frameworks. Earlier at ONI, he served as an Indications and Warning Officer, managing military collections and leading intelligence training for senior DoD leaders. He deployed to Afghanistan (OIF) April 2011 – June 2012.
Today Frank operates Pacific Rim Media, Inc., Pacific Rim Labs LLC, and PacRim Media Ltd. (Canada, BC1582277) — three interlocking entities certified as a Service-Disabled Veteran-Owned Business Enterprise (NaVOBA SDVBE Cert #202500282D). He develops, produces, and finances feature films with military precision, sovereign advisory strategy, and tax-advantaged investor structures built for institutional capital.
Pacific Rim Media offers accredited investors access to legally structured, tax-efficient film investment vehicles — combining Hollywood production expertise with veteran-grade financial discipline.
70+ feature films across Hollywood studios, military productions, and independent cinema. DGA-accredited. Internationally bonded.
Full filmography on IMDb
View IMDb Profile →Mission-driven media coverage, podcasts, and financial seminars focused on international cooperation, veteran advocacy, government-private partnerships, and tax-advantaged film investment.
Frank Kostenko breaks down Section 168(k) bonus depreciation and Production Expense Allocation — how veteran-owned production companies structure deals that return up to 2× in tax savings for accredited investors while funding mission-driven content.
Pacific Rim Media announces the incorporation of PacRim Media Ltd. (BC1582277) in Vancouver, BC — positioning the veteran-owned production company to access Canadian tax incentives, co-production treaties, and the BC/Alter Ego post-production ecosystem.
Post-production on Angel and the Badman advances to color grading at Alter Ego Vancouver with colorist Kipp Lightburn. Final delivery to Angel Studios targeted July 2026.
Frank Kostenko presents the strategic framework for using film and media as soft power tools for international cooperation — drawing on 30 years of Special Operations experience and 70+ productions across 35 countries.
Weekly reporting on veteran entrepreneurship in entertainment, international cooperation through film, government-private partnerships, and the business of doing good globally. Reported by Frank C. Kostenko Jr. — Captain, USN (Ret./Reserve).
Texas just made history by launching a dedicated military veteran film hire rebate uplift — a welcome signal that states are recognizing veteran talent belongs on both sides of the camera. But it arrives against a backdrop of real hardship. As of April 2025, an estimated 1.2 million veterans were receiving SNAP food assistance, with as many as one in four military families experiencing food insecurity — a number sharpened by the recent federal government shutdown. The Military Family Advisory Network has stepped into that gap, providing direct food relief. Blue Star Families has partnered with organizations nationwide to provide economic relief and community connections. At Pacific Rim Media, we believe the entertainment industry has a direct responsibility here — not just to tell veteran stories, but to hire veterans, fund veteran-owned businesses, and use film as an economic vehicle for the communities that served. The Texas rebate uplift is step one. Building an industry-wide pipeline is the mission.
The Milken Institute's Thriving Beyond Service report draws on 80+ experts: 200,000 service members leave the military every year, joining 16.2 million veterans already in civilian life — and fragmented support systems are leaving too many behind. Four-pillar framework: Health & Well-Being, Economic Opportunity, Community, and a Streamlined Veteran Support Ecosystem. At PacRim Media, film and media are among the most powerful tools for building that community pillar — normalizing veteran entrepreneurship and creating economic pathways in an industry that needs what veterans carry.
In 30 years of Naval Reserve Special Operations — SOCPAC Chief of Staff, CO of DTSA/RAID under OSD — the most durable influence always came from story. From Act of Valor to current projects in Morocco, Canada, and the Gulf, the pattern is consistent: film crews build more trust per dollar than almost any other diplomatic tool. Pacific Rim Media's mission is to harness that insight — bringing together sovereign partners, veteran talent, and tax-efficient investment capital to produce content that does good in the world while generating real returns.
Hollywood doesn't prepare you for a shoot in Morocco with a local crew, a bond company watching every dollar, and a host nation government that needs constant diplomatic management. The U.S. Naval Reserve did. Logistics, risk management, coalition building, timeline execution under pressure — the DGA card and the uniform are two versions of the same certification. Veteran producers are the most undervalued resource in independent film.
New stories every week on veteran entrepreneurship, international film cooperation, Section 168(k) investor briefings, and global good through storytelling.
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Whether you're an accredited investor exploring Section 168(k) film finance, a sovereign partner interested in media strategy, or a studio seeking a bonded international producer — Frank Kostenko and the PacRim team are ready to execute.